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Simon Carter The King Of Cufflinks

Simon Carter The King Of Cufflinks

Simon Carter, a world fashion icon, creator of men’s fashion accessories, especially the cufflinks; if you are a fashion fan, then you need to know about this incredible character and brand.

Simon Carter, emerged under the Vogue UK scenario, with individual designs that were considered quite light, but with a very creative strategy, Carter managed to change the way the cufflinks were designed and used forever. He planned to change the language inside the world he created and lived during his whole career; this designer gives us the twins he wants to use.

The story of Simon Carter

He began selling tin brooches, as well as other children’s jewelry during 1985. However, his specialty was identified when he started developing twins of men during the late 1980s. Simon Carter has released many quite interesting live and double particular models, completely changing the add-on field of men who had long been stagnant. The twins have become a huge success, and the brand has started to grow on a remarkable speed.

During the late 1990’s Simon Carter focused on maintaining his position within the UK as the leading designer of shirt cufflinks. He became well known for his originality and distinction in own designs, most of which involved into bright, humoristic designs.

Simon Carter captured the market with his well-known drawings such as the “sister” Aspirin twins (which had capsules inside the effective twin) ” Crystal Dollar (the declaration being bling to any bank that is specialized). Often referred to as the’King of twins’, Simon Carter and dumbbell designs continue to contribute to today’s market in neckties and leather goods.

Later he created a selection of formal and informal men’s clothing, which was adopted by the brand, continually pursuing each of the great principles and the values of the brand Simon Carter, reaching an agreement with urban specialists, in the search to attribute a contemporary lightness to the sensitivity in its form.

Simon Carter “dresses” tend to be much admired by the great movie stars of the British and American elite. It is indeed a great collection from Carter in which he stands out for good quality clothing, and his garments have always been very popular with shoppers and celebrities, such as Will Smith & Jonathan Ross.

In October 2007, Simon Carter launched a flagship store at Covent Garden in London, where the Carter men’s clothing and accessories range is available in one place. In 2008, integral development was the critical element for an idea that Simon Carter has launched, thus establishing a North American store (correctly based in Toronto).

Simon Carter has opened more stores worldwide than any other, especially in Japan, which has been a vital niche for him with the scheduled presentations in Osaka and Tokyo. Similarly, the world continues to drive the use of each of its products, which are already present in more than 30 countries around the world with stores such as Thomas Brown (Ireland), Bloomingdales (USA), Selfridges (UK) and David Jones (Australia).

 

Who’s Simon Carter?

Simon Carter is a brand of clothing and accessories that was founded by an entrepreneur of the same name during the 1980s, we can find this brand in most of the British department stores, including John Lewis, Fortnum & Mason and House of Fraser.

Simon Carter is a business character and men’s clothing designer who sold his first product in 1985. He is well known throughout the UK and is also an ambassador/adviser for small businesses, which when they first came to be taken, such as Hawkins and Pastor shirts and made it possible to grow the business.

On the other hand, he is a British croquet champion, a collector of classic cars and a connoisseur of inimitable British elegance and practicality, style and tradition have given him a dedicated position, which has a clientele such as Gary Oldman, Will Smith, Robert Downey Jr, and Jonathan Ross, in addition to a more prosperous label.

From its humble beginnings, the brand was founded when Carter was just a student and went through the pins, cufflinks, watches and now involves a line of luggage and jewelry, so he is not only the “King of Twins”, he is also a winner of the prestigious Drapers Menswear Brand of the Year Award, given by Winq magazine for being the man of the year and his style, as well as the columnist for a men’s clothing magazine.

 

Simon Carter Collection London Collections: Men

As part of London Collections: Men, Simon Carter invited a few people to a club, being those of private members in The Union in London’s Greek Street, to show his SS17 collection which includes beautiful jackets, incredible accessories, and extravagant shirts.
Along with the influence of fashion, the event was attended by members of the press and obviously celebrity stylists and Simon Carter himself was there to greet the guests and introduce them to this incredible new collection.

During this season, Simon unveiled an utterly versatile collection that was full of English charm, and thoroughly familiar with the demands of sophistication in a dress that the great personalities demand, both for the city and for the country. The range involves; coats, shirts, and ties, suits and jackets, of course, shoes and socks were not missing…
The accessories involve cufflinks, watches, handbags, purses, and jewelry. The prints are a focal element of the entire collection, from the ribbons and shirts to the jackets, it’s impossible to ignore Simon Carter’s romance with the pattern. That is to say, the “conversation traces,” as Simon himself calls them, can go from the iconic Paisley and reworked the classics of freedom, the most eccentric of flamingos, shrimp and hot chiles are also repeated.

Also, it features an exquisite selection of textures and fabrics that attribute the collection a great life, from knitted silk bows and jacquard jackets to knitted, silk handkerchiefs and horsehair belts.

Customers could drink the best English sparkling wine, consume brioche-filled buns and Victoria mini sponges, which Dalhousie’s catering company gave to the presentation of the incredible collection.

 

An Interview with Simon Carter

Below, we will present a brief interview that was conducted with Mr. Simon Carter:
● Should there be a colored suit in every gentleman’s closet?
A navy blue suit is very versatile; you can wear it with a printed shirt or a knitted tie. It is suitable for the first day at the office, as well as for first appointments, and even for attending a wedding.
● What kind of suit or accessory will help us get the job?
You can never go wrong in a gray suit in an interview. I think it’s practically impossible to be too smart because grey works well with all skin tones, and it’s very flattering; it’s a color that suggests professionalism.
● What must be combined with the suit to take it to a higher level?
This is the perfect moment to express the personality can be done with a good silk tie, but with intense color, also with a white or dark blue shirt; this suggests confidence. Twins are an essential way to finish a gentleman’s suit. Remember, with accessories, less is more. Twins are underestimated, and they can impress an employer much more than you might think.
● Which trend will we be able to appreciate more this season?
The bold blues remain stable regarding fashion. In addition to the transition from clothes, from just work clothes to sophisticated evening wear.
● What’s next for the Simon Carter brand?
I am always looking for new developments in fiber and fabric technology. Today’s costumes tend to be about performance and form, and this is going to become increasingly important.

Without a doubt, with only five questions asked of this famous designer, he was able to get any man out of trouble, and he provided them with excellent tips to use when dressing for any special, formal or informal occasion that might arise.

In other research, we have obtained other words from the famous designer that will allow us to know a little more about his way of seeing things:
“Since 1985, when I was selling my first product – this being vintage jewelry that I had copied in the tin to the jewelers who were part of the Cobra and Bellamy company – I have kept some basic principles constant.

People often comment often, while surrounding the problematic word “retro” of the visible presence of heritage and tradition in their work. There is a reason for this, a reason why they are often found around the world at auctions and in antique shops or second-hand stores – if you prefer.

When Mies Van Der Rohe designed the chair in 1927, there were two billion people in the world. Now, there are a little over seven billion. My design is about halfway between aesthetics and pure utility.

I believe that each of us, the seven billion people require something to sit down, however, the problem of the designer to address the question of how to add images to the primarily functional that has become more difficult in a system where the high demand of necessity, for everyone begins to erode a critical preface in choice and consumption – discernment.

During the old days, utility and beauty could be more obviously aligned. With more time available to be able to conceive things in sufficient time around it, it could take everything to design and build in such a way that the integrity of the design and construction was only one piece, the real harmony of form and function, that is what every designer should aspire to have.

Human ingenuity has overcome most obstacles, yet the problem of how to supply the world with the objects they require without compromising taste may seem like a difficult question.

As many of those who know me from me understand that I have little problem with the contemporary idea of what we call “luxury.” And what diminishes this: design is not a luxury. If the design is not a luxury, then there are a lot of things, obviously, most of the things out there that are large “design free.”

Although this may turn out to be true, it still doesn’t mean that we have to put aesthetics into the design in some corner called the “exclusive” corner, with a cost to go with it. We still think we can get the best design at the best price. That we can develop objects with integrity and quality that does not require the customer to be able to return home in search of some “added value” that never has to be added in the first place but instead has to be an integral part of the whole.